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Chapter I the selective process. Restaurant Michael Schwartz has much to offer in this field. ' ' _ Mr. Jose Da Silva, we thank immensely its participation in the selective process of our company, but, however, Mr. does not have the profile that we look for, even so has a very good resume and is certain of that he will find, soon, the rank that as much longs for. Its resume will be registered in cadastre with us for future chances that if incase in its profile. Debtor! ' ' The Analyst of RH of company K said. This age the life of Jose, our protagonist, to participate of innumerable selective processes in search of that it guaranteed the sustenance to it as well as the family. This was not 27 ' ' NO' ' perhaps in an end of selective process that listens in the life, this number was well superior the 49, arrived the 53 The truth is that we do not know how many times Jose are defeated in a selective process only know that they had been many times! If it allows me, my expensive and patient reader (a) (it has patience in reading these pages, laughs) I will make some ranks mine, concerning selective processes, because I am certain that it was read until here is because the heading, in such a way suggestive one, seduced it or the synopsis behind the book that until not yet I wrote here. A selective process is a situation similar to the one of a fight between a lion and a tiger back in the distant African savannah for an antelope, a buffalo or any another canine tooth It has, in this well similar fight between lion and tiger, things to a selective process that are they: Search for the sustenance, proper and of the offspring, a bloody competition where if it hates and it twists for a slip of the adversary and what it scares more me and that has in both the situations: a terrible fear of failure, a fear that freezes the spine, one distresses front to the uncertain one that it is never certain the object of this fear and anguish is not to obtain another chance as this, a fear of this chance (a canine tooth or a selective process) to be the last one of the world.

These writers make reference the solitude through its stories, leaving to be transparent as this manifest feeling if in the daily one of the people. For construction of this work I took for base following stories: ‘ ‘ for the ticket of great dor’ ‘ (ABREU, 2005) and ‘ ‘ a smile is little for as is same the name of it? ‘ ‘ (BRIDGES, 2008). Beyond these texts I look for to relate the thought of some authors who study regarding the solitude, so that thus, he is more clarified this subject as, KLEIN (1975), ARAUJO (2009). Valley to detach that the choice of this subject if gave why the solitude if constitutes as a sufficiently present event in the contemporaneidade. This is a problem that devastates some independent people of social classroom, race, sort or religion. Vertex might disagree with that approach. It is pertinent to observe as this thematic one is boarded in literature for modern writers. In this direction, the plot of these stories comes to favor tracks that evidence as the personages, alone or folloied, they are acometidos by the feeling to be alone sad and overwhelming.

The dialogue established between the personages constitutes as reflected of the language of its respective authors in the direction of explicitar the feelings that denounce the solitude. To the ending of this reflexiva critical analysis we can presume that it enters these authors has some similarities and divergences in what it says respect to the way to work the subject solitude. The mission of this article is exactly to detach where if it more necessarily finds the coincidences and dichotomies between stories and in the styles of each author. PALAVRAS-CHAVES: Abreu- solitude Bridges Similarities? Differences LITERARY ANALYSIS OF the SOLITUDE: limits and 1-Introduction possibilities This work has the intention to characterize the solitude for intermediary of an analysis critical-reflexive concerning the works of Falls Fernando Abreu and Gildemar Bridges.

The plot of Dry Lives is based basically for the arrival of the family of retirantes to an old farm abandoned and ruined and for a exit of the family, more to the end of the history, that ahead of a new period of drought, runs away for the South. In this half time the family lives as aggregate in the farm, for whose Fabiano proprietor she works, the head of the family. Thus they pass a moment of stop in one same place, a time who lived in a nomadismo provoked for dry. Soon in the first chapter the author denounces dries that he came being faced for the family of retirantes and shows the characteristics of each personage, characteristics these that are dealt with so naturalness that resembles them the animals moved for the survival instincts. In this context of misery function is identified to it Mr.

of the family as the responsible one for the survival of its children and woman, function this treated as load where the father if ahead submits and puts in game its dignity of the necessity, collating its situation with dries to the family and the life, as a whole. The ignorance of the man is still verified in Fabiano who if finds ahead in its situation of an idle society in stretches as when it goes to buy kerosene: it is with water. It goes to buy chita: she is expensive. It is led to the game, it does not know to communicate itself, and he is imprisoned. Another high point of the workmanship consists of the aspirations of the children and the members of the family in general way, that cannot ahead be satisfied of its condition as the dream of the Sinh Victory to have a bed. Without saying in the complicated situation of convivncia between the adults and the children, perhaps generated for this condition of impossibility of satisfaction of the aspirations of the same ones.

The same author still considers that these effect must it ' ' organized, systematic character, of ours comportamento' ' (P. 87). Thus, the memory influences in the formation of the character of the individual, being able to correspond not only to the time and the place where this lives, but to the influences provoked for who it coexists, for what he hears? in the case of the verbal narratives? or that it reads, determining partner-cultural influences sights in the anthropology. UNCOMMON IN the NARRATIVES In accordance with the lexicon, the uncommon one runs away to the rules, is uncommon, abnormal (Michaelis, 2009, P. 480). However, myth and legend are uncommon by its very nature, since they are forms to explain the inexplicable one. The contents brought for the narratives, beyond preserving traces descriptions and antropolgicos, still show the uncommon one: it is uncommon that the awaken interest, curiosity.

If to observe the boarding of Bakhtin (2003), where ' ' each concluding element (…) can be used in all these trends (satirical, heroic, humorstica) (…) is possible the satirizao for the physical aspect, the limitation, the jeering, (…) is possible also the heroificao through the external image (…) ' ' , we will perceive that legends, myths, uncommon and grotesco serve to one same intention: to become the interesting personage, to become who account and what it counts interesting, in the attempt of to be olmos between the vegetation tripping. Thus, all the aspects of the narrative, either what it is told, as become and it carries through who it must exceed to the common one: one is becoming uncommon that she will perpetuate herself, one will espraiar and reach one of the primordial intentions of the narratives, therefore they cannot only exist, need to be in all the places, always. THE NARRATIVES COMPILED For the accomplishment of this work some narratives of the south region of Brazil had been compiled, understanding the geographic region of the Valley of the River Tubaro, the south coast of Santa Catarina.