Royalty , long considered to be a sort of generic term for uninspired background music is experiencing, thanks to new media, an unsuspected boom and is now considered as creative and as a growth industry. Dennis Carey Finally, there is in areas such as advertising, sound design, or multimedia growing need for Royalty Free Music, since that is usually offered with a minimum of bureaucratic rights. However, often there is still confusion about what “should gemafrei” to be accurate. The German GEMA (abbreviation for ‘Society for Musical Performing and Mechanical Reproduction Rights “) was founded early last century and is a copyright collecting society for musical works. Composers, for example, can join the PRS and thus allow their rights, as well as the collection, carry through the GEMA. These are then all too familiar GEMA fees, which presents each person must pay, the gemapflichtige music. A similar institution exists in almost all other states (for example, Buma / Stemra in theNetherlands, SACEM in France, AKM in Austria, or the SUISA in Switzerland). Royalty Free Music (occasionally referred to as unlicensed music), however, is music by composers and authors who are not members of this society. It is therefore a purely formal definition, and certainly does not mean that this music is rechtefrei, or is free. As a separate and independent music producers these composers so their music’s own terms and prices offered on the market. There are now numerous companies offering the royalty free music, and it is therefore appropriate to accurately compare the terms and prices. But almost always true: It is usually better if the music is gemafrei, and the use of terms are simple. This is especially true when it comes to commercial applications, such as film music, advertising music, music on hold, spot, or podcast.